Svensk Konsertdirektion

YO-YO MA - Cellist

Yo-Yo Ma’s multi-faceted career is testament to his continual search for new ways to communicate with audiences, and to his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination.
Yo-Yo Ma maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. He draws inspiration from a wide circle of collaborators, creating programs with such artists as Emanuel Ax, Daniel Barenboim, Christoph Eschenbach, Kayhan Kalhor, Ton Koopman, Bobby McFerrin, Edgar Meyer, Mark Morris, Mark O’Connor, Kathryn Stott, Wu Man, Wu Tong, and David Zinman. Each of these collaborations is fueled by the artists’ interactions, often extending the boundaries of a particular genre. One of Mr. Ma’s goals is the exploration of music as a means of communication, and as a vehicle for the migration of ideas, across a range of cultures throughout the world. To that end, he has taken time to immerse himself in subjects as diverse as native Chinese music with its distinctive instruments and the music of the Kalahari bush people in Africa.
Expanding upon this interest, in 1998, Mr. Ma established the Silk Road Project to promote the study of the cultural, artistic and intellectual traditions along the ancient trade route that stretched from the Mediterranean Sea to the Pacific Ocean. By examining the flow of ideas throughout this vast area, the Project seeks to illuminate the heritages of the Silk Road countries and identify the voices that represent these traditions today. Mr. Ma has performed a number of newly commissioned works, including chamber pieces created for the specially created Silk Road Ensemble (which tours with these works and traditional music from Silk Road countries). The Project’s major activities have included the 2002 Smithsonian Folklife Festival, which included more that 400 artists from 25 countries and drew more than 1.3 million visitors, and concerts at the 2005 World Expo in Aichi, Japan.
Now in its seventh year, the Silk Road Project has established a growing network of creative partnerships. Over the next few years, in collaboration with leading museums in Asia, Europe and North America, the Project will co-produce a series of performance, exhibition and educational events focusing on great works of art from each museums’ collections. The first of these residencies took place in January 2004 at the Peabody Essex Museum in Salem, Massachusetts; at its center was the late Qing Dynasty merchant’s home, Yin Yu Tang. Recent affiliations with the Rhode Island School of Design and Harvard University will also broaden and enhance the Project’s educational programs.
The Project’s performance-based initiatives include professional workshops co-produced with the Tanglewood Music Center, the Boston Symphony Orchestra and Carnegie Hall. In 2004, the “Mentoring, Creating and Communicating” workshop, conducted with the Silk Road Ensemble, highlighted performance practices of music from Azerbaijan, China, India and Iran. A September 2006 workshop will focus on Silk Road commissions.
Through the Silk Road Project, as throughout his career, Yo-Yo Ma seeks to expand the cello repertoire, frequently performing lesser known music of the 20th century and commissions of new concertos and recital pieces. He has premiered works by a diverse group of composers, among them Stephen Albert, Elliott Carter, Chen Yi, Richard Danielpour, John Harbison, Leon Kirchner, Peter Lieberson, Christopher Rouse, Bright Sheng, Tan Dun and John Williams. In March 2006, Mr. Ma will premiere a new cello concerto by Osvaldo Golijov with the Boston Symphony Orchestra.
Mr. Ma is an exclusive Sony Classical artist, and his discography of over 75 albums (including more than 15 Grammy Award winners) reflects his wide-ranging interests. He has made several successful recordings that defy categorization, among them “Hush” with Bobby McFerrin, “Appalachia Waltz” and “Appalachian Journey” with Mark O’Connor and Edgar Meyer and two Grammy-winning tributes to the music of Brazil, “Obrigado Brazil” and “Obrigado Brazil – Live in Concert.” Mr. Ma’s most recent recordings include “Paris: La Belle Époque,” with pianist Kathryn Stott, and “Silk Road Journeys: Beyond the Horizon,” with the Silk Road Ensemble; he also appears on John Williams’ soundtrack for Rob Marshall’s film “Memoirs of a Geisha.” Across this full range of releases Mr. Ma remains one of the best-selling recording artists in the classical field. All of his recent albums have quickly entered the Billboard chart of classical best sellers, remaining in the Top 15 for extended periods, often with as many as four titles simultaneously on the list.
Yo-Yo Ma is strongly committed to educational programs that not only bring young audiences into contact with music but also allow them to participate in its creation. While touring, he takes time whenever possible to conduct master classes as well as more informal programs for students—musicians and non-musicians alike. At the same time he continues to develop new concert programs for family audiences (helping, for instance, to inaugurate the family series at Carnegie Hall). In each of these undertakings, he works to connect music to students’ daily surroundings and activities with the goal of making music and creativity a vital part of children’s lives from an early age. He has also reached young audiences through appearances on “Arthur,” “Mister Rogers’ Neighborhood” and “Sesame Street.”
Yo-Yo Ma was born in 1955 to Chinese parents living in Paris. He began to study the cello with his father at age four and soon came with his family to New York, where he spent most of his formative years. Later, his principal teacher was Leonard Rose at the Juilliard School. He sought out a traditional liberal arts education to expand upon his conservatory training, graduating from Harvard University in 1976. He has received numerous awards, including the Avery Fisher Prize (1978), the Glenn Gould Prize (1999), the National Medal of the Arts (2001) and the Sonning Prize (2006). Mr. Ma and his wife have two children.
He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius.
For additional information, see: www.yo-yoma.com, www.silkroadproject.org, and www.icmtalent.com.

OFFICIAL BIO FOR THE 2005-2006 SEASON. LAST UPDATED OCTOBER 2005. PLEASE DESTROY ALL PREVIOUSLY DATED MATERIALS.

KATHRYN STOTT - piano

Kathryn Stott is one of Britain’s most versatile and imaginative musicians. Her curiosity and wide-ranging musical interests have taken her in many different directions, forging a unique career and establishing a rare reputation. A natural collaborator, she is greatly in demand for chamber music alliances, playing with some of the world’s leading instrumentalists, as well as appearing on major international concert platforms in recitals and concerto performances. She has also directed several distinctive concert series and festivals and has built up an extensive and exceptionally varied catalogue of recordings.
Born in Lancashire, she studied at the Yehudi Menuhin School with Vlado Perlemuter and Nadia Boulanger, then at the Royal College of Music in London with Kendall Taylor. In 1978 she attracted critical attention as a prize-winner at the Leeds International Piano Competition. In addition to her busy career as a performer, she is a professor at the Royal Academy of Music in London, as well as teaching at Chetham’s School of Music in Manchester.
As a concerto soloist she enjoys associations with major orchestras in Britain, the Netherlands, Germany, Italy, Spain, Switzerland, France, Hong Kong and Australia, and she recently toured Japan with the Orpheus Chamber Orchestra. Among her chamber music partnerships, she has long-standing musical relationships with cellists Yo-Yo Ma, Truls Mørk and Christian Poltéra, and with violinist Janine Jansen, saxophonist Federico Mondelci and pianist Noriko Ogawa. She has also collaborated with the cellist Natalie Clein and – on the borders of, and beyond, the classical arena – she has developed shared musical interests with the guitar-playing Assad Brothers, bandoneonist Nestor Marconi, double-bassist Edgar Meyer, and the legendary clarinettist Paquito d’Rivera. A close involvement with many leading string quartets has led to regular guest appearances with, amongst others, the Belcea, Skampa and Endellion Quartets, as well as The Lindsays, in whose farewell concert series she was invited to appear.
Kathryn Stott has a special interest in contemporary music and concertos by Sir Peter Maxwell Davies and Michael Nyman head the impressive list of major world premieres she has given. Along with Noriko Ogawa she gave the first performance of Graham Fitkin’s Circuit for two pianos and orchestra in Manchester, with subsequent performances in Japan, and is recording it on the BIS label.
Her constantly expanding horizons have led her to become a remarkable exponent of tango and other Latin dance music, reflected in her collaboration with Yo-Yo Ma and leading South American musicians on the Grammy Award-winning Sony CD Soul of the Tango and its successor Obrigado Brazil. The release of Obrigado Brazil was accompanied by a hugely successful tour of Japan, the USA and Europe.
In the recording studio she has created an eclectic body of work including the complete solo piano music of Fauré (Hyperion), concertos by Kabalevsky and Lennox Berkeley and solo pieces by Koechlin (Chandos), music by John Foulds and Erwin Schulhoff (BIS), La Habanera featuring music by Ernesto Lecuona (EMI), and a recital of French cello sonatas Paris – La Belle Epoque with Yo-Yo Ma (Sony). Future recording plans include solo music by Smetana and works for cello and piano with Christian Poltéra (both Chandos) and the Dvorák Quintet with the Skampa Quartet (Supraphon). In addition, her performance of Mozart’s D minor Concerto, K466, at Manchester’s ‘Piano 2006’ festival featured as a BBC Music Magazine cover disc.
Kathryn Stott has been the artistic vision behind several major festivals and concert series in the north of England, in which she has played a dual role as director/performer. For ‘Fauré and the French Connection’ (Manchester,1995) she was appointed Chevalier dans l’Ordre des Arts et Lettres by the French Government. ‘Out of the Shadows’ featured music by Clara Schumann and Fanny Mendelssohn (Liverpool, 1998); ‘Piano 2000’ and ‘Piano 2003’ (The Bridgewater Hall, Manchester) established her reputation as an astute programmer; and in 2004/05 she devised ‘Chopin: the Music and the Legacy’ for Leeds. Her latest such venture is a weekend mini-fest of five concerts under the title ‘Paris’ (Music in the Round, Sheffield, October 06).
Her diverse career remains truly international, as she continues to captivate audiences worldwide with her poetic musicality and engaging personality. Current and future plans include tours of both North and South America, and performances in Australia, Hong Kong and Japan as well as throughout Europe.
Kathy Stott has one daughter, Lucy, and lives in Manchester. In the precious little time she has away from the concert platform and rehearsal studio, she collects black-and-white photographs and studies Italian. One of her most memorable experiences was walking the Great Wall of China, raising funds for Cancer Research.
www.kathrynstott.com

August 2006

KATHRYN STOTT - piano (short version)

One of Britain’s most versatile and imaginative musicians, Kathryn Stott studied at the Yehudi Menuhin School with Vlado Perlemuter and Nadia Boulanger, and at the Royal College of Music in London with Kendall Taylor. She is a frequent guest at the world’s major leading concert halls and appears as a concerto soloist and recitalist in Britain and throughout Europe, the Far East and Australia.
Greatly in demand as a chamber musician, she has long-standing partnerships with, among others, Yo-Yo Ma, Truls Mørk and Christian Poltéra, Janine Jansen and Noriko Ogawa. A champion of contemporary music, she has given the first performances of many major works including concertos by Sir Peter Maxwell Davies and Michael Nyman, and, with Noriko Ogawa, Graham Fitkin’s Circuit for two pianos and orchestra. She is an enthusiastic exponent of tango and other Latin dance music, a passion reflected in her collaboration with Yo-Yo Ma and leading South American musicians on the Grammy-winning Sony CD Soul of the Tango and its successor, Obrigado Brazil.
The diversity of Kathryn Stott’s performing career is reflected in her discography which includes the complete solo piano music of Fauré on Hyperion, the concertos of Kabalevsky and solo music by Koechlin on Chandos, music by John Foulds and Erwin Schulhoff on BIS, La Habanera featuring music by Ernesto Lecuona on EMI, and a recital of French cello sonatas with Yo-Yo Ma on Sony. She has directed, and taken a leading role in, several highly successful festivals and concert series. These include ‘Fauré and the French Connection’ (Manchester, 1995); ‘Out of the Shadows’, featuring music by Clara Schumann and Fanny Mendelssohn (Liverpool,1998); ‘Piano 2000’ and ‘Piano 2003’ (The Bridgewater Hall, Manchester); ‘Chopin: The Music and the Legacy’ (Leeds, 2004/05); and, in Autumn, 2006, ‘Paris’ (Music in the Round, Sheffield).
Kathryn Stott’s diverse career remains truly international and, continuing to captivate audiences with her poetic musicality and engaging personality, her current and future plans include further recordings and tours of both North and South America, and performances in Australia, Hong Kong and Japan as well as throughout Europe.
www.kathrynstott.com

August 2006